Artwork information

Category

Print

Technique

Screenprint on cherry wood

Date

2026

Dimensions

60 cm x 36 cm

Dimensions with frame64 cm x 40 cm

Signature

Signed lower left

Proof(s) of authenticity

Work sold with a certificate of authenticity.

State of conservation

Very good

Framing

Yes

Location

Toulouse, France

Description

Laurent Minguet
Alone in San Francisco, 2026

Screenprint on cherry wood
60 × 36 cm (64 × 40 cm framed)
Limited edition of 30 signed and numbered copies

Laurent Minguet captures that rare moment when an iconic city ceases to be spectacular and becomes almost intimate.

At first glance, the scene appears simple: a sloping street, typical of San Francisco, still quiet. But very quickly, the eye is drawn into the rigor of the lines — those of the rails, which carve a taut perspective toward the horizon, almost hypnotic. Everything converges, everything pulls toward that vanishing point where the city either opens up… or disappears.

The contrast between the dense black and white of the architecture and the luminous intervention in the sky creates a subtle break. This light, almost liquid, seems to glide across the composition like a breath. It does not describe a sky; it establishes an atmosphere — that of a fragile morning, when the city has not yet fully reclaimed itself.

The choice of cherry wood reinforces this sensation. The grain subtly emerges through the image, bringing an unexpected warmth to an otherwise structured, almost rigid urban scene — as if the material itself were softening the geometry.

Here, Laurent Minguet does not narrate San Francisco. He distills a precise sensation: that of a suspended moment, poised between solitude and promise, when the city still belongs to the one who moves through it.

Provenance

Artist's Studio

The artist

Painter

Laurent Minguet

Emerging artistEmerging artist
Painter
Born in 1969
France

Bio

Laurent Minguet is a French multidisciplinary artist and designer born in 1969 in Toulouse where he lives and works.

Adept of acrylic on canvas from a very young age, he learns alone and paints only with a brush. Guided by automobile silhouettes, he perfected his hyperrealist style. From 1998, inspired by his first great travels, he focuses on landscapes marked by hyperurbanization. 

Laurent Minguet has surveyed several megalopolises in search of the best photographic angle of iconic or arbitrary places. In his studio, he will then methodically draw them in pencil and then paint them, thus making them remarkable by the balance of their contrasts. 

Since 2014, the supports he uses are of fine walnut, cherry or oak, raw or natural, which he carefully selects so that their random vintage reinforces the dynamics of an extremely detailed whole. The precise and essential line then freezes for a moment the agitation and architectural density of his graphic composition. 

To break the linearity of the noble wood, the artist will work the monochrome acrylic in opposition to the photorealistic precision of the painting, thus revealing the strength of his different interpretations. The continuity of the urban landscape recreated with the brush in the illusion of a natural transparency finally marks the culmination of the work.

"The singular sobriety of my painting superimposes hyperrealism and play of illusion, suggesting several prisms of vision." Laurent Minguet

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