
Artwork information
Category
PrintTechnique
4-color lithographic print on 270 gsm white BFK Rives paperDate
2011Dimensions
44.5 cm x 119 cmSignature
SignedState of conservation
Very goodFraming
NoLocation
Antwerp, BelgiumDescription
JR
Eyes on Bricks, New Delhi, India, 2009
March 2011 edition
4-color lithographic print on 270 gsm white BFK Rives paper, printed on a Marinoni flatbed press
44.5 × 119 cm
Limited edition of 500
Numbered in pencil lower left and signed by JR lower right (stamp and pencil)
Sold unframed
With "Eyes on Bricks, New Delhi, India, 2009", JR captures one of the most spontaneous and ephemeral interventions from his early urban projects. Created in New Delhi in 2009, the work features a monumental gaze composed directly onto stacks of bricks in the middle of a street construction site.
The intervention was carried out with the help of the construction workers, who gave JR only a few minutes to install the collage before dismantling it so the bricks could be reused. This temporary dimension lies at the core of JR’s practice, where photography becomes both the trace and the memory of installations destined to disappear.
The work fully reflects JR’s exploration of visibility and human presence within public space. Reduced to a simple gaze, the portrait acquires an immediate symbolic power, transforming an ordinary construction material into a monumental image. The fragmentation created by the bricks introduces a constant tension between fragility and monumentality, image and architecture.
The panoramic format of the composition, combined with the raw texture of the bricks, gives the work a particularly strong visual rhythm. This lithographic edition stands out for the subtlety of its contrasts and the richness of its textures, achieved through the craftsmanship of the Marinoni workshops.
Printed on BFK Rives paper with deckled edges, this lithograph also reflects the excellence of the Marinoni workshops in the field of fine art printing.
An important edition from JR’s early urban projects, sought after for the immediate strength of its image as much as for the ephemeral nature of the original intervention.
Provenance
Belgian private collection



























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