Le Marais #1,2,3

Cristina BanBan is a Spanish painter born in 1987 in El Prat de Llobregat, near Barcelona, Spain. She currently lives and works in New York, where she has gradually established herself as one of the most notable figures of the new international figurative painting scene. Her work, centered on the expressive representation of the female body, stands at the intersection of the great European painting tradition and a distinctly contemporary approach to figuration, driven by gestural energy and an exploration of emotional intensity through paint.

Artistic training between Barcelona and London

Cristina BanBan grew up in Catalonia, where drawing quickly became a central part of her practice. Attracted from an early age to painting and the representation of the human body, she developed an intuitive approach to color and pictorial material.

She studied fine arts at the University of Barcelona, where she earned a Bachelor of Fine Arts in 2010. This academic training provided her with a strong foundation in drawing and composition while allowing her to develop a personal pictorial language.

After completing her studies, she moved to London, an important stage in the evolution of her work. In a city marked by a strong contemporary figurative painting tradition, she deepened her expressive approach to the human figure and began developing the visual characteristics that would come to define her artistic practice.

A painting centered on the female body

Cristina BanBan’s painting is distinguished by the presence of powerful, monumental female figures that often occupy the entire surface of the canvas. The bodies she paints appear stretched, fragmented, or subtly distorted, as if the pictorial material itself were participating in their transformation.

Her compositions are built from a palette dominated by flesh tones, pinks, reds and ochres, occasionally punctuated by stronger or darker accents. Forms emerge from a network of rapid gestures, visible brushstrokes and partially erased surfaces.

This constant tension between figuration and abstraction is one of the defining characteristics of her work. The bodies remain recognizable, yet they appear to be continuously recomposing themselves under the pressure of the painterly gesture.

Artistic influences and references

Cristina BanBan’s work engages in dialogue with several major traditions of modern and contemporary painting. Art historians and critics often note affinities with painters who approached the human figure as a field of pictorial experimentation.

Her work belongs to a lineage in which the representation of the body is not merely descriptive but expressive, where material, movement and the energy of the brushstroke play a decisive role in shaping the image. This approach places her practice in conversation with both European figurative painting and certain dynamics inherited from abstract expressionism.

Move to New York and international recognition

Cristina BanBan’s career gained international momentum when she moved to New York, the city where she currently lives and works. This relocation marked an important turning point in her artistic trajectory and significantly expanded the visibility of her work on the global contemporary art scene.

Since the late 2010s, her works have been presented in galleries and institutions across New York, London, Paris, Berlin, Tokyo and Shanghai. Her paintings, often produced on a large scale, have attracted growing attention from collectors and key actors within the contemporary art market.

This recognition is part of a broader resurgence of figurative painting on the international art scene, a movement within which Cristina BanBan has emerged as one of the most visible artists of her generation.

A pictorial exploration of identity and emotion

At the core of Cristina BanBan’s work lies a reflection on human presence and on how painting can convey emotional states. The figures she depicts are not idealized; they often appear introspective, powerful yet vulnerable, as if shaped by an internal tension.

Some of her works suggest an autobiographical dimension in the bodies represented, blurring the boundaries between portrait, self-portrait and universal figure. Painting becomes both a psychological exploration and a field for material experimentation.

This approach gives her work a distinctive intensity, inviting viewers to experience the painting not only as an image but as a sensory encounter.

Cristina BanBan today

Today, Cristina BanBan is considered one of the most prominent emerging artists within the new generation of figurative painters. Her work continues to be presented in numerous international exhibitions and attracts increasing interest from collectors and institutions.

Through her paintings, she continues to explore the possibilities of representing the human body and the expressive potential of painterly material. Her visual universe situates the human figure at the intersection of emotion, movement and painterly energy.

Her work ultimately belongs to the long history of figurative painting while renewing that tradition through a distinctly contemporary language, where the freedom of gesture and the power of color redefine the possibilities of painting today.