
Artwork information
Category
PrintTechnique
Etching and drypoint in colors on paperDate
1976 - 1977Dimensions
52.4 cm x 45.5 cmSignature
Signed lower rightProof(s) of authenticity
Scottish Arts Council (S.A.C.) 208 ; Museum of Contemporary Art Tokyo (M.C.A.T.) 187State of conservation
Very good overall condition. Clean sheet, fresh impression, and sound margins. No major issues visible (tear, crease, or significant alteration).Framing
YesLocation
Ile-de-France, FranceDescription
David Hockney (b. 1937)
Figures with Still Life (from The Blue Guitar), plate 10
Date of creation: 1976–1977 (published in 1977)
Medium: Etching and drypoint in colors, on Inveresk mould-made paper, from the portfolio The Blue Guitar
Edition: 143/200, signed in pencil and numbered
Publisher: Petersburg Press (London & New York)
Printer: Petersburg Press — Maurice Payne
Dimensions:
Plate: 42.5 × 34.6 cm
Sheet: 52.4 × 45.5 cm
With Figures with Still Life (The Blue Guitar, plate 10), David Hockney created one of the most compelling and intellectually rich images in his printed oeuvre. Published by Petersburg Press in 1977, The Blue Guitar has become an iconic suite because it captures a rare gesture: bringing painting, poetry, and art history into conversation within a single print—Wallace Stevens in the background, Picasso on the horizon, and Hockney as the conductor, transforming this lineage into an immediately contemporary visual language.
Here, everything unfolds through the tension of forms: a more constructed, almost architectural figure confronts a freer, more organic presence, while a stripped-down still life (plate, bottle, glass) serves as a neutral stage—common ground where visual languages test and measure themselves. The result is quintessential Hockney: an image that feels simple at first glance—elegant, graphic, luminous—yet reveals, over time, a deeper meditation on how images are made and how an artist reinvents his influences.
This work is offered in a beautiful silver-toned metal frame.
Public collections:
Impressions of this print—and more broadly of The Blue Guitar suite—are held in major public institutions, including The Museum of Modern Art (MoMA), New York; the National Gallery of Art, Washington, D.C.; the Museum of Fine Arts, Houston (MFAH); the Fine Arts Museums of San Francisco; as well as the Art Institute of Chicago and the Museum of Contemporary Art Tokyo (MOT).
Provenance
Private collection, France (current).
Acquired at public auction: Saint Paul Auction, 20th-Century Arts sale, 11 May 2025, lot 22.
Former private collection, United Kingdom; framing executed in London (John Jones Frames Ltd workshop, "Conservation Framing", workshop label on the reverse).
Bibliography
- Scottish Arts Council (S.A.C.): 208
- Museum of Contemporary Art Tokyo (M.C.A.T.): 187
- David Hockney Prints 1954–77, Petersburg Press (for the Midland Art Group & the Scottish Arts Council), 1979.
- David Hockney: Catalogue Raisonné of the Prints 1954–1995, Museum of Contemporary Art (Tokyo), 1996.
- The Blue Guitar, portfolio published by Petersburg Press, 1977 (edition details and description of the suite).
- Baitel, Shai (ed.), David Hockney: Paper Trails, exh. cat., Modern Art Museum (MAM) Shanghai, Skira, 2024 — Figures with Still Life (from The Blue Guitar) reproduced (p. 85).


























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